In 5 short days, Phish will settle in at Madison Square Garden for their traditional end-of-the-year run. Phish is no stranger to the Garden, having now played the famed venue in the heart of New York City 35 times over the course of their career. From their MSG debut in 1994 to their most recent appearances at the very beginning of 2016, the storied room has played host to some of the most treasured shows in the band’s history. As we inch closer to this year’s New Year’s Run, we will be bringing you our 12 Days Of Phishmas series, highlighting a different milestone MSG Phish show each day until we all head back to the Garden on the 28th. It wasn’t easy narrowing 35 down to 12, but we think you’ll be pleased with these classics from the Phish catalog. Enjoy!On the eighth day of Phishmas, we look at the band’s New Year’s gag from 2015, the infamous “No Men In No Man’s Land” hourglass jam.Going into 12/31/15, fans were wondering what exactly Phish would do for their annual New Year’s gag. After the “Meatstick”, “Steam”, “Garden Party”, “JEMP Truck” and “Suck To Blow” stunts of the 3.0 era, fans were expecting another zany prank to continue the fun tradition. However, Phish switched things up in 2015, delivering a psychedelic musical experience that wowed the audience at Madison Square Garden.The show opened with two high-octane sets filled with fan favorites. Set one featured a slick “Moma Dance” > “Possum” to open the show, with “Birds of a Feather” and “Reba”, and “Walls of the Cave” all making for big early-show moments. Set two showcased the band’s jamming, as they opened with “The Wedge” > “Wilson” > “A Song I Heard The Ocean Sing”, while bringing things to a close with “Kill Devil Falls” > “Piper” > “Twist”, which was 2015’s song of the year. The crowd roared with approval throughout the show, as the anticipation mounted for the forthcoming New Year’s gag.When the band finally returned to kick off the third set, it wasn’t on the stage itself. Instead, they showed up on a platform that had been set up on the back of the Garden’s floor, to the delight of all the audience at the back of the room. The band was essentially in the middle of the crowd on this small, square stage, with a cone-shaped screen positioned above them. They kicked right off into funky “No Men In No Man’s Land”, a new favorite that was debuted earlier in the year.As soon as the song’s form ended, the band jumped into a long type-II improvisation that stretched the song to just over twenty minutes long. As Phish jammed, the cone-shaped screen descended from above, enclosing the band in what turned out to be an hourglass-shape. Psychedelic images were then projected onto the screen via projection-mapping, and the band took us on a trippy excursion through No Man’s Land.The 3.0 era has seen Phish perform a number of standout jams from inside unique structures. Superball‘s “Storage Jam” and Magnaball‘s “Drive-In Jam” both were landmark moments of improvisation for the band, and the “Hourglass Jam” during “No Men In No Man’s Land” was a continuation of this awesome, locked-in playing. The band jammed right up until midnight, with a pre-recorded running back to the main stage to perform “Auld Lang Syne” before turning in another lights-out set of music.Check out the full, pro-shot video of the “No Men In No Man’s Land” Hourglass Jam below!Phish | Madison Square Garden | New York, NY | 12/31/2015Set1: The Moma Dance > Possum, Wolfman’s Brother, Birds of a Feather, I Didn’t Know, Happy Birthday to You, Martian Monster, Reba, Walls of the CaveSet 2: The Wedge > Wilson > A Song I Heard the Ocean Sing, Yarmouth Road, Kill Devil Falls > Piper > TwistSet 3: No Men In No Man’s Land > Auld Lang Syne > Blaze On > Carini > David Bowie, The Horse > Silent in the Morning > Backwards Down the Number LineEncore: Tube > Cavern Sung by Fish and the crowd for his daughter Ella. Unfinished.This show was webcast via Live Phish. BOAF contained a quote of The Birds. During I Didn’t Know, Trey introduced Fish as “The Man Mulcahy.” The crowd sang the last verse of I Didn’t Know and Fish then asked the crowd to join him in singing Happy Birthday to his daughter, Ella. KDF was unfinished. The third set began with the band on a second stage beneath a funnel-shaped screen suspended from the ceiling. As the band jammed, part of the screen descended and became an hourglass shape surrounding the stage, on which a series of images were projected. As the jam continued and the countdown to midnight approached, the band returned to the main stage.Stay tuned over the coming days for more Phishmas! ‘Tis the season!On the eighth day of Phishmas, a Phish phan played for me… Eight No Men Landing (12/31/15)Seven Jams A-Steamin’ (12/31/11)Six Walls a-Cavin’ (12/31/02)Five Song Second Set (12/29/97)Four Light Year Jams (12/29/98)Three Phishy Decades (12/31/13)Two Sitting Legends (10/22/96) and The Gamehendge Time Factory (12/31/95)!If you’re attending the run, there are plenty of things to do in between shows. For fans of the jam, head to any of these concerts in the area for a guaranteed good time!12/28: Aqueous + Mungion @ DROM (Phish After-Party) – tickets12/30: Phan Art w/ Formula 5 @ American Beauty (Phish Pre-Party) – FREE SHOW12/30-31: Spafford & Magic Beans @ American Beauty (Phish After-Party) – tickets
The Harvard architecture students watched intently as Anne Liu presented slides of her preliminary design proposals. They were not for a house, or for a building, but for a jar of peanut butter.“The idea is that you are what you buy,” said the third-year master of architecture student. She illustrated her branding concept for Jif organic peanut butter: “Taste you can see. Purity you can trust.” She showed a container design for a jar with caps at both ends. She detailed her palette of colors, chosen to stand out against the peanut brown.Liu was rejiggering Jif for an unusual Graduate School of Design (GSD) seminar taught in an unusual fashion by an unusual set of teachers.“Paper or Plastic: Re-Inventing Shelf Life in the Supermarket Landscape” emerged from the obsession of identical twins Teman and Teran Evans, both Harvard GSD alumni (’04) who have expanded their architectural training into territory where their brethren almost never tread. The brothers believe that architects — with their skills in three-dimensional conceptualization — can address a host of design challenges, including ones that might sit on shelves in the local supermarket.Third-year master of architecture student Anne Liu illustrated her branding concept for Jif organic peanut butter: “Taste you can see. Purity you can trust.” She explored the effect of red, blue, and green against the brown of the product itself, and also considered a jar that could grind peanuts with a twist, before settling on a double-capped jar to allow easy access.“That’s where the architect has suddenly so much agency,” said Teman. “We’re three-dimensional problem-solvers, and we can solve problems at the big scale of buildings that you occupy, and also small problems that fit in your hand.”Since graduating from Harvard, the Evans brothers have a closeness that they parlayed into a business that does brand consulting and architectural design and produces a line of jewelry. Teran runs day-to-day operations in New York City; Teman teaches at the University of Michigan’s Taubman College of Architecture. Their work has been featured on HGTV, and the pair has appeared in reality TV shows.They were inspired to create and teach a course for Harvard after an influential New York Times article declared the architect obsolete and said that an architectural degree was not worth the money.“If you’re talking about brick-and-mortar buildings, yes, you could say things are changing,” Teman said. “But don’t say the skill set is obsolete. Because there are myriad problems we could apply this to.”So the brothers contacted Preston Scott Cohen, chair of the Department of Architecture, and asked to create a Friday afternoon seminar that blends design, marketing, and business.Their first step was to send students in “Paper or Plastic” into the aisles of Stop & Shop and Shaw’s supermarkets for research. A shelf, they explained, is not a flat space. People move through stores in unexpected and surprising ways. Products must also feel right in the hand when opened or poured. Products then “live” somewhere at home — on the table, near the stove, in a cupboard.“Shelf life is more important in history than it ever has been before,” said Teman. Brands used to rely on the now-fragmented market of television commercials and newspaper circulars. Said Teran, “We are in an era where people no longer make decisions before going to the supermarket.”Christopher Esper and Dorothy Xu, both master of architecture students, were tasked with Listerine. Esper analyzed the “visual pollution” of Listerine’s current cool mint container, while Xu reimagined mouthwash in an elegant, spare bottle.The students were randomly assigned to reimagine a classic product: Listerine, A1 steak sauce, Philadelphia cream cheese, or Jif peanut butter. For their final review, students will present ideas to panels of representatives from the architecture and branding world. “They have to treat these critics like clients. They have to learn to pitch their work,” Teran explained.For her design, Liu first analyzed the peanut butter shelf in a market. She explored the effect of red, blue, and green against the brown of the product itself. She found that most organic peanut butter buyers routinely store the jar upside down, because the oil and peanuts tend to separate, and then the buyers turn it over to mix. She considered a jar that could grind peanuts with a twist and then settled on a double-capped jar to allow easy access.Teman liked how Liu “doubled down” on the cap, but cautioned that the jar has to “live happily” in the hands of kids, mothers, and grandmothers. Teran noted that because peanut butter itself acts as the background color, that background could become “goopy” and unattractive as it is consumed. “It’s like a glass house,” he said.Collin Gardner, a master of architecture student, presented his designs for A1 steak sauce, in which the bottle was reconfigured into a shape that incorporated an A and a 1. “I was trying to get some stackability,” he said.The Evans brothers were intrigued, but they wondered how the design would pour and how it worked with the wrist. Would the product be shelved with, say, the Morton salt container, which is never seen, or “live” on a table with other condiments? They liked a design by GSD student James McNally for an A1 logo that put a knife design into the “negative space” between the A and the 1.Christopher Esper and Dorothy Xu, both master of architecture students, were tasked with Listerine; Esper analyzed the “visual pollution” of Listerine’s current cool mint container, while Xu reimagined mouthwash in an elegant, spare bottle.The brothers admit they exert push-pull on students. Teman, by nature, is more concept-oriented; he likes to throw out ideas and let the imagination spin wildly. Teran works on execution and practicality; he jokes that Teman calls him “the dream crusher.”Thus, while they want their students to push barriers, they also cite the cautionary tale of Tropicana Orange Juice, which changed its branding and promptly lost $30 million in purchases by confused customers. “You want to update, but you don’t want to go from 0 to 60. You don’t want to lose those people that identified with the product,” Teman said.The discipline of architecture may be changing, but Teman and Teran Evans promise their students one thing: “You will never look at the supermarket the same way again.”
Editor’s note: Harvard sociologist Matthew Desmond on Thursday won the National Book Critics Circle Award in nonfiction for “Evicted: Poverty and Profit in the American City,” which is now out in paperback. The Gazette interviewed him about the research behind the book when it was published last year.The day a sheriff squad evicted Arleen, a single mother raising two boys in one of the poorest neighborhoods of Milwaukee, was among the city’s coldest on record.Urban sociologist Matthew Desmond followed Arleen and seven other families as part of the trailblazing research behind his new book, “Evicted: Poverty and Profit in the American City.”Desmond, the John L. Loeb Associate Professor of the Social Sciences and co-director of the Justice and Poverty Project, lived in a trailer park and a rooming house for over a year to conduct fieldwork. He also worked to fill some of the huge gaps he found in eviction data.Critics have hailed “Evicted” as a feat of ethnography, research, and narrative that seeks to change our understanding of poverty by looking at eviction as one of its causes. Last year Desmond was named a MacArthur “genius” fellow. The Gazette spoke with him about Arleen, the devastating effects of evictions on the lives of America’s poor, and opportunities for reform. GAZETTE: Why did you choose to study evictions?DESMOND: I thought I would use eviction to tell a story about poverty. I had no idea how common it was. I had no idea that one in eight renters in the city of Milwaukee experience a forced move every two years. I didn’t know that 2.8 million renting families around the country report that they think they’re going to be evicted soon. I also had no idea that it would be such a driver of poverty. I started realizing this by spending time with families getting evicted. Seeing them lose their possessions, seeing moms having to choose between paying the rent or feeding their kids, seeing families cast into homelessness. What I was seeing everyday in the field was reaffirmed through statistical studies: that eviction is a cause, not just a condition, of poverty.GAZETTE: You said in your book that when you began your research, in 2008, you couldn’t find studies or statistics about evictions. Why do you think no one was paying attention?DESMOND: It was a surprising thing. We knew a lot about public housing and housing policies. We also had a lot of studies on the neighborhood. But we didn’t know how common evictions were and the role they play in creating poverty. The costs of inequality: Increasingly, it’s the rich and the rest Economic and political inequities are interlaced, analysts say, leaving many Americans poor and voiceless Related GAZETTE: Would you call eviction an epidemic?DESMOND: When you have one in eight renters in a major city in America getting tossed every two years, I’d call that epidemic levels. When you have evictions not counted in the tens or the hundreds of thousands but likely in the millions, I call that epidemic levels. When you read accounts from the 1930s or 1940s about evictions, it was an event that drew people’s attention. There is a story from a clip from The New York Times about an eviction of a family in the Bronx in the 1930s. The paper covered it like this: “Probably because of the cold, only a thousand people showed up.” Eviction used to be rare, but now we’ve grown used to it, become familiar with the rumble of the moving trucks and families’ effects lining the sidewalk.GAZETTE: You also said that when you started your research you thought eviction was the result of poverty, not the cause of it. Tell us how you changed your view.DESMOND: Evicted families lose their homes and their possessions, which are either piled on the street or taken to storage. If the now-homeless families miss payments, their things are sold or taken to the dump. Kids lose their schools and people lose their jobs. Eviction comes with a court record and that can affect where you live. A lot of landlords refuse to take people who have been recently evicted. That pushes families into worse neighborhoods and worse housing. Public housing authorities treat evictions as a strike against your application, which means that families that are in most need of aid — the evicted — are denied it. And then there is a toll eviction takes on your spirit. It’s a driver of depression; it has an effect on mental health. So you add all that up, and you arrive at a new way of understanding poverty, one that sees eviction as a moment that places families on a different, and much more difficult, path.GAZETTE: Your book is the narrative of eight families in Milwaukee that live on the edge of eviction. How did you develop a relationship with these families?DESMOND: I lived in the community for a little more than a year; that helped a lot. I wanted to write about their lives in their full complexity, with both honesty and empathy. Living in the community with them allowed me to see things about poverty and inequality that I hadn’t seen before, and it showed me the human toll of the lack of affordable housing in our cities.GAZETTE: Could you tell us about Arleen, one of the central people in your book?DESMOND: When we met, Arleen was a single mom trying to raise two boys. She was living in a rundown apartment in the inner city, paying 88 percent of her income to rent. I saw her struggle under those conditions, having to decide between pitching in for funeral costs and paying the rent; between buying clothes for her kids and paying the rent. To me, Arleen stands for the face of the eviction epidemic. Most households in Milwaukee that get evicted have kids living in them.GAZETTE: Witnessing the hardships poor families experience was heartbreaking, you said in your book. How did it affect you?DESMOND: I saw Arleen get evicted on a day in early January when it was 40 below with the wind chill. Seeing those things left a mark. But I also saw strength, humor, and courage in the face of obstacles that many of us can’t fathom. There is a story in the book of a time at McDonald’s with Vanetta and Crystal, two homeless women who were living in a shelter at the time. They were eating lunch, and this young kid walks in. He didn’t go up to order. He went around the tables, looking for scraps. When they saw him, Vanetta and Crystal pooled their money to buy that boy lunch. Crystal gave him a big hug and sent him on his way. Moments like that reminded me how gracefully the people I met refuse to be reduced to their hardships.And throughout, my colleagues at Harvard helped me process all this and connect it to our broader intellectual mission of using all the tools of social science — from in-depth ethnography to big-data analysis — to shed a new light on the nature of poverty today in a way that engages policymakers and the wider public.GAZETTE: At the end of the book, you offer proposals to reduce evictions. Tell us about expanding the universal housing voucher program. How feasible is that?DESMOND: That question begs another question, which is: Do we believe housing is a right? Do we believe that access to decent, affordable housing is part of what it means to live in this country? I think we have to say yes. The reason is very simple: Without stable housing everything else falls apart. We’ve reaffirmed the right to basic education, access to food, and security in old age because we know that, without those things, it is impossible to live a full and flourishing life. And housing is central to well-being and economic mobility. So how do we deliver on that right? I think we should expand a program that is already working pretty well — housing vouchers — to all poor families. The idea is simple. Instead of paying 70 percent of your income to rent, or 88 percent like Arleen did, you pay 30 percent and the voucher covers the rest. You could take that voucher and live anywhere in the city, as long as that place wasn’t too expensive or too shabby. Housing vouchers help a lot, but only a lucky minority of poor families benefit from them.GAZETTE: What do you hope your book will do to the understanding of poverty in America?DESMOND: I hope this sparks conversation about how it is deeply implicated in creating poverty in our cities. I hope we think of addressing this problem in ways, big and small. We can’t fix poverty without addressing housing. It’s absolutely central and has to be at the top of our domestic agenda.GAZETTE: Can you talk about a class you teach at Harvard?DESMOND: I teach a class called “Poverty in America,” which draws sociology concentrators but also students from the humanities, hard sciences, and across the social sciences. Together we take a close look at the historical and present-day nature of poverty. We study joblessness, housing, and neighborhoods, the criminal justice system, and public policy. We also interface with this problem on the ground level. Students go out and talk to folks that are working for minimum wage and trying to make ends meet. Students go and observe housing court. They interview politicians. And then they take those experiences and observations and connect them to ideas and studies about inequality. We invite a lot of community members to the class, like tenants facing eviction, men just released from prison, and police officers who patrol high-crime neighborhoods. The idea is to show students the face of poverty and the complexity of it. My hope is that they come to see poverty not only as an economic matter, but also as a matter of justice.
Show Closed This production ended its run on Nov. 30, 2014 It’s up to you to fill in the blanks! Blank! The Musical opens off-Broadway at New World Stages on November 17. Blank! is co-created by Michael Girts, Mike Descoteaux and T.J. Shanoff. The production is a collaboration between Uprights Citizens Brigade and Livecube, a mobile technology app that will be utilized by theatergoers during the show. Related Shows Blank! The Musical View Comments At each performance Katie Dufrense, TJ Mannix, Nicole C. Hastings, Andrew Knox, Tessa Hersh, Matthew Van Colton and Douglas Widick will hit the stage without scripts or rehearsals to perform a brand new musical that audiences help create. Those in attendance will use their smartphones to choose a title, write lyrics and compose a score.
It’s Friday, and you know what that means—it’s time for the Lessons of the Week. We’re recapping the weird, wild and crazy stuff from the last…wait a second. Are you reading this from your phone during a performance of Shows For Days?! Um, maybe you should turn your phone off and check out the Lessons when the show is over. Trust us.Aaron Tveit’s Getting a PompadourTveitortots rejoice! The Graceland and Big Sky star is going back to high school with Vanessa Hudgens and Julianne Hough in Grease Live! this winter. Time to stock up on pomade, Aaron. We’re hoping for a coif length a little past Frank Abagnale, but not full-on Enjolras. (Which we totally still remember how to pronounce, btw.)Silence Your Phone Near LuPoneYou heard the announcement at the beginning of the Lessons of the Week: In her ongoing quest for distraction-free theater, Shows For Days star Patti LuPone is championing the cause by grabbing cell phones and walking off with them if you try to text in her presence. Ms. LuPone, as professional theatergoers, the Broadway.com editorial team salutes you.James Bond Doesn’t Do Jazz HandsAs much as we’d love to see 007 doing time steps with Pussy Galore and an ensemble of dancing martinis, we’ve officially squelched the rumor that a James Bond musical is currently in the works. We’re especially sad to miss out on those catchy James Bond: The Musical hits “I’ll Do Anything For a Woman With a Knife” and “I Didn’t Recognize You With Your Clothes On.”Sign Up For ASL Classes Right NowThe acclaimed Deaf West revival of Spring Awakening is bringing sexually frustrated teens back to Broadway once again, and that means we’ve got only two more months to learn sign language so we can sign along with the cast! We’re sure the instructor won’t mind teaching us the signs for “totally” and “f**ked.”Annaleigh Ashford Is a Total BettyBroadway.com readers have found their favorite virgin who can’t drive: Annaleigh Ashford! The Tony winner already has a gig in Sylvia, but you guys are totally going ballistic about casting her in the Clueless musical. Hear that, Amy Heckerling? Also, can Paul Rudd reprise the role of Josh? We’re not sure if he can sing, but he looks virtually the same as he did in 1995.Sex Scenes? Groff Goes Both WaysHamilton star Jonathan Groff says when it comes to doing a sex scene, it’s pretty much the same whether your partner is a guy or a gal. And he would know—in his 30 years on this planet, he’s already done more sex scenes than most people do in a lifetime. Well, besides Hand to God star Geneva Carr.JCM Is Justin Timberlake’s Sugar DaddyHedwig and the Angry Inch co-creator John Cameron Mitchell’s got a sweet tooth for licorice drops and jelly rolls…and Justin Timberlake. He’s really hoping the pop star will swing on by the Belasco Theatre, try a wig on for size and become Broadway’s next internationally ignored song stylist. Chances are you either love or hate this idea, and we want you to be vocal about it.Misty Copeland Needs a Bio-MusicalThe first female African-American principal dancer at the American Ballet Theatre and forthcoming On the Town star has led such a fascinating life, we think it’s about time someone wrote her a bio-musical. Growing up in a hotel? Custody battles? Broken limbs? This is a Tony-winning masterpiece waiting to happen. Lin-Manuel Miranda, you’re not busy or anything, are you?Lola Will Box a KangarooThe Land of Lola is going to the land down under! Kinky Boots is high-kicking its way to Australia in 2016. Yep, this means the factory workers at Price & Son will start eating Vegemite and drinking Foster’s, Lauren will sing “The History of Wrong Mates” and Lola will fight a kangaroo in the boxing scene. That’s what Australia is like, right? Don’t Offer Bernadette Peters WeedGuys, if you see Bernadette Peters at Broadway Barks this weekend, feel free to adopt a dog, take a selfie or ask for an autograph. But there’s one thing you must not do under any circumstances: offer Bernadette any type of “herbal refreshment.” After her appearance on Watch What Happens Live, we’ve discovered that she is not a pothead. She likes puppies, but not pot brownies. View Comments
University of Georgia The most often asked questions from gardeners begin with “Is it time to…?” On “Gardening in Georgia with Walter Reeves” May 9 and 13, show host Walter Reeves and his guests will answer a variety of questions on what to do in the garden and landscape. Reeves, a retired University of Georgia Cooperative Extension agent and gardening expert, and UGA Extension horticulturist Bob Westerfield will show how to determine if the soil is ready to plant a vegetable garden.Reeves will visit Hank Bruno at Callaway Gardens to show how to divide and move irises. He will also solve a “who-done-it” mystery that’s happening in the cabbage patch. “Gardening in Georgia” airs on Georgia Public Broadcasting stations across the state each Saturday at 12:30 p.m. and 6 p.m., and repeats Wednesdays at 7 p.m. The show is produced by the UGA College of Agricultural and Environmental Sciences and is supported by a gift from McCorkle Nurseries. Learn more about the show and download useful publications at the Web site www.gardeningingeorgia.com.
University of Georgia scientists are counting on a tiny wasp to save the popular Gerbera daisy from being destroyed by an insect that finds its leaves tasty.Popular cut flowerA member of the sunflower family, Gerbera daisies come in a variety of colors like yellow, pink, orange, white and red. It is widely grown for both the cut flower market and as an ornamental plant. The pest that’s attacking it, called the leaf miner, does just like its name suggests. The adult feeds on the leaves and deposits eggs. The larvae then mine their way through the plant’s leaves, seeking nourishment and reducing the plant’s ability to photosynthesize. The feeding pattern makes the leaves variegated and leaves the grower with a plant that is unsellable for the potted-plant market.Damages leaves, stems and flowers“Leaf miner damage also affects the length of the stems, which is a major problem when the flowers are headed to florists who will use them in floral arrangements,” said Cheri Abraham, an entomologist with the UGA College of Agricultural and Environmental Sciences.Left uncontrolled, the insect will eventually cause damage to the Gerbera flower, too.Immature leaf miners live inside the leaves, making chemical control difficult. Having been in the U.S. since the early 1960s, the pest has built resistance to many chemical control methods. “They have cosmopolitan roots. They’re found anywhere flowers have been transported,” Abraham said. Studying several optionsWorking with UGA entomologists Ron Oetting and Kris Braman, Abraham is looking at several options for controlling the pest.In greenhouses on the UGA campus in Griffin, Ga., he is introducing the leaf miner’s parasitoid Diglyphus isaea. This tiny wasp could be a natural way to control the leaf miner. Since other greenhouse insects, including the wasp, are controlled by pesticides, Abraham also has to find a pesticide that won’t kill the wasp.“This parasite (wasp) needs its host to be alive,” he said. “It lays an egg in the larval form of the leaf miner.”Abraham is also studying characteristics of Gerbera daisies that the leaf miner doesn’t like, such the tiny hairs on the plant’s stem and waxy leaves. Surveyed growers want locally-grown flowersRoses, daisies and carnations top the list of the most requested locally grown cut flowers, according to a market analysis of south Georgia and north Florida florists by the UGA Center for Agribusiness and Economic Development. Gladiolus and Gerbera daisies bring the highest price per stem at $1.10 and 95 cents. Some 90 percent of the responding florists said they would consider buying locally grown fresh cut flowers when available.
Dinse, Knapp & McAndrew, P.C., a business and litigation law firm with offices at 209 Battery Street in Burlington, announces that Jeffrey J. McMahan, Esq. has become a shareholder and director of the firm.McMahan is a corporate attorney who rejoined the firm in December 2002. His practice focuses on counseling businesses in business formation issues, venture capital financings, mergers and acquisitions, and intellectual property protection and licensing. He has particular experience with the legal issues faced by software companies, representing both software vendors and institutions purchasing computer systems.Prior to rejoining the firm, he was Deputy General Counsel of AllScripts Healthcare Solutions, Inc., a publicly-traded health care information technology company based in Chicago. He also served as Division Counsel to Channelhealth Inc., an Internet subsidiary of IDX Systems Corporation, and was Corporate Counsel in the IDX Legal Department.McMahan originally joined Dinse, Knapp & McAndrew in 1994 and was associated with the firm until early 1999, when he joined IDX. He is a 1991 graduate of Middlebury College and a 1994 graduate of the College of William and Mary Law School.McMahan resides in Shelburne, Vermont, with his wife and daughter.
After some thought, an email from another teacher at the school sparked inspiration. After three weeks, Vanessa had designed 63 drawings. “[Mrs. Smith] said it would be a good idea to send cards to the Roscoe Nursing Home residents,” Vanessa said. To Vanessa, the staff aren’t just workers, but family. “My Aunt Lori works in the Roscoe nursing home. She’s a hero,” Vanessa said. The nursing home was so touched, Vanessa received a ‘thank you’ card from the home’s activities director, and is now encouraging everyone to give back in any way they can. Instantly, Vanessa started on the project, choosing to draw pictures to help brighten the moods of residents and staff. (WBNG) — Hancock Central School 7th grader Vanessa Horton needed an idea for a class after her teacher challenged Vanessa and her classmates to do a random act of kindness project. “My hope was that pictures would bring a smile to their faces and brighten their days,” she said. “Draw a nice picture that is colorful,” she suggested. “It’ll make people smile and be more happy.”
Holiday houses with a story – an excellent project for branding rural accommodation in Varaždin County
Also, a brochure “Holiday house with a story” was made, which has already been presented in London, and the official presentation will be in Zagreb in January. Also, it is important to emphasize that all the pictures “Holiday house with a story” were made by a professional photographer, ie how it is a quality professional photography, which is imperative today and which should have long been the standard in tourism. Each house has its own story told through the architecture, objects, experience and atmosphere of each “Holiday house with a story”, and the main focus is on hospitality, ie the host and direct contact with the guest. Thus, at the beginning of December, the official trilingual website (hrv, eng, njem) was launched under the name My Varazdin Holiday, where the most important information about each house can be found. In any case, this is an excellent rounded project, which only now needs to be promoted and branded with quality. The Varaždin County Tourist Board has so far made the biggest step forward in branding accommodation in continental tourism, which is a positive example of the direction in which it should be developed and how to directly raise the quality of accommodation. This should be the basis of any destination, if you are serious about tourism. So far, a total of people have joined the project 34 holders of the best accommodation standard in the County, and the vision of the project is to create a brand that will be directly related to Varaždin County. Find out more about “Holiday Homes with a Story” HERE “Holiday houses with a story” is an excellent new project of the Tourist Board of Varaždin County. RELATED NEWS: The aim of the project is to develop the tourist offer in the rural area and increase the number of accommodation facilities with diversification based on cultural and historical tradition while raising quality. HOW TO PROMOTE RURAL TOURISM? HERE’S HOW THEY DO IT IN SWITZERLAND Photo: Varaždin County Tourist Board Don’t sell me accommodation, sell me a story – an authentic story The Tourist Board of Varaždin County has provided free “Holiday homes with a story” for all holders of the standard.Varaždin brush“Which currently contains Varaždin pumpkin oil, gingerbread, honey, buckwheat flour mills, lavender and eco-cosmetics, and tourist brochures with all relevant information. SMALL SCHOOL ON SUSTAINABLE DEVELOPMENT OF RURAL AREAS AND CONNECTION WITH TOURISM “For the first time, Varaždin County has successfully implemented a public call for grants in tourism, in the amount of one million kuna, to improve accommodation capacity, with the aim of raising the quality of accommodation to a higher level. Thus, we want to avoid excessive apartmentization, that is, a lot of apartments and other facilities with poor quality accommodation and without content. We want to give both story and quality” said Martina Martinčević, director of the Varaždin County Tourist Board, and emphasized that this is the first step in connecting agricultural producers of Varaždin County and their inclusion in the tourist offer. Varaždinska kištrica EXAMPLE OF A TRUE HOST AND STORY TALKING IN FAMILY ACCOMMODATION